Moog Matriarch B-Stock

B-Stock mit voller Garantie
Versandrückläufer, ggf. mit leichten Gebrauchsspuren

4-stimmig paraphoner Semi-Modularer Synthesizer mit Patch-Option

analoge Klangerzeugung
256 Step Sequenzer
Arpeggiator
Stereo-Ladder-Filter und Stereo-Analog-Delay
basiert auf den Schaltungen der Moog-Modular-Synthesizer
4 analoge Oszillatoren mit wählbaren Wellenformen
Mixer mit 6 Eingängen
2 vierstufige ADSR
3 bipolare spannungsgesteuerte Dämpfungsglieder mit Ringmodulationsmöglichkeiten
2 diskrete analoge Stereo geroutete VCAs
49-Tasten Keyboard mit Aftertouch via MIDI, KBD VEL OUT und KB AT OUT Anschlüssen
Pitch- und Modulations-Räder
90 Patch Punkte 3.5 mm Klinke an Vorder- und Rükseite
Abmessungen (B x H x T): 813 x 140 x 362 mm
Gewicht: 10,9 kg
inkl. Patchkabel und externem 12 V Netzteil
passende Koffer: Art. 489955 und Art. 479619 (beide nicht im Lieferumfang enthalten)
passende Tasche: Art. 489808 (nicht im Lieferumfang enthalten)

Anschlüsse:

2 Line-Ausgänge: 6.3 mm Klinke
Stereo Kopfhörer-Ausgang: 6.3 mm Klinke
2 Ausgänge: 3.5 mm Miniklinke
Delay 2 Ausgänge sowie Sync- und CV-Eingang: 3.5 mm Miniklinke
Arpeggiator/Sequenzer Clock-Eingang/On-Off-Eingang/Reset sowie Clock-Ausgang: 3.5 mm Miniklinke
Instrument Eingang: 6.3 mm Klinke
MIDI In/Out/Thru
Expression Pedal zu CV
Sustain Pedal Eingang

30 Tage Money-Back-Garantie

3 Jahre Thomann Garantie

Erhältlich seit Oktober 2019
Artikelnummer 480824
Verkaufseinheit 1 Stück
Anzahl der Tasten 49
Anschlagdynamik Ja
Aftertouch Ja
Keyboard Split Nein
Modulation Wheel Ja
Anzahl der Stimmen 4
Tonerzeugung Analog
MIDI Schnittstelle 1x In, 1x Out, 1x Thru
Speichermedium Keine
USB Anschluss Ja
Effekte Delay
Arpeggiator Ja
Anzahl der analogen Ausgänge 2
Digitalausgang Nein
Display Nein
Pedal Anschlüsse 1x Pedal, 1x Sustain
Maße 813 x 140 x 362 mm
Gewicht 10,9 kg

Auch als Neuware verfügbar € 1.999

€ 1.849

Alle Preise inkl. MwSt.

Verkaufsrang

in Synthesizer

What you see is what you get

Der Moog Matriarch ist die Weiterentwicklung des semimodularen Moog Grandmother. Im Gegensatz zum Grandmother ist der Matriarch aber nicht monophon, sondern vierstimmig. Das semimodulare Design wurde fast eins zu eins übernommen. Statt 41 weist Matriarch allerdings ganze 90 Patchpunkte auf. Das System ist übrigens kompatibel zu den anderen (semi-)modularen Moog-Produkten sowie anderen modularen Synthesizern. Die vier analogen Oszillatoren und das klassische Ladderfilter sind wie viele Aspekte des Designs an die alten Moog-Modular-Systeme angelehnt. Das Ganze kommt in einem gewohnt soliden und sehr hübschen Gehäuse mit einem hochwertigen 49-Tasten-Fatar-Keyboard daher. Digitale Verschnörkelungen gibt es beim Matriarch nicht, auch keine Presets: What you see is what you get.

Not a mummy's boy

In addition to the oscillators and filters mentioned above, the Moog Matriarch features an analogue stereo bucket brigade echo that mirrors the unit's retro visual aesthetic. Nevertheless, the Matriarch also has a few modern features in store. On the back, for example, there is a USB connection next to the 5-pin MIDI connections. On the front, Moog offers an arpeggiator as well as a sequencer, which offers more than enough space even for the most extensive melody featuring 256 steps. As befits a modularly designed device, the classic utilities can also be found there - a signal splitter (Mult) and an attenuator, with which control signals can be amplified or attenuated.

A purist without digital frills

One thing should be clear: Like any Moog, the sound of the Matriarch is beyond reproach. If you buy a Moog, you get a Moog sound, and if you want a Moog sound, you buy a Moog - it's as simple as that. The Matriarch is certainly no Swiss army knife, but a purist without digital frills. Thanks to its polyphony, keyboardists will get their money's worth, and those who already have a modular system will find the Moog Matriarch a control centre for all eventualities. For example, an external sequencer can be integrated with ease, and the Matriarch's keyboard virtually invites you to control a modular system via CV and gate.

About Moog

The US manufacturer of synthesizers, based in Asheville, North Carolina, is one of the pioneers in this field and has legendary status. Robert Moog had been involved with electronic sound generation since the 1950s and his first experience was with the manufacture of theremins. The breakthrough came in 1968 with the Grammy-winning album "Switched-On Bach" by musician Wendy Carlos (then know as Walter Carlos), recorded in multitrack with a mono synthesizer. The Minimoog, released in 1971, became the most popular synthesizer of the 1970s and is still considered the benchmark for the quality of synthesised sounds. It and the following devices, like the Memorymoog, Polymoog, and Prodigy, shaped the sound of numerous albums, from Stevie Wonder to The Police and from Saga to Kraftwerk.

The sound lab

In contrast to "modern" models, Moog follows a purist approach - as exemplified by the Grandmother and Matriarch - in which digital flourishes are largely avoided. The Matriarch is the no-nonsense version of a polyphonic Moog. If you are looking for a versatile sound laboratory for tinkering and interconnecting, you will find it here. With the Matriarch, Moog has expanded the functional range of the Grandmother by several dimensions and presents a work of art with character in an appealing retro design. If you didn't know that this was a synthesizer from a well-known company, you might get the impression that you were looking at a sinfully expensive boutique synth.

Mit Liebe serviert!